During a
recent photo shoot I on which I collaborated with Cotton Australia as we build
the world's first Cotton in Fashion History Digital Library, I found at
the back of the storage unit a box of extraordinary late 19th century bustles.
Bustles
like these were worn by fashionable ladies in the late 1880s. The soft
layered look, popular in the pervious decade and immortalised so beautifully in
paintings such as August Renoir's "Le Moulin de la Galette" in 1876,
was replaced by a severe, tailored silhouette with an exaggerated (and often
extraordinary) fullness at the back created by layers of fabric. Fixed around
the waist of the wearer, a bustle, made from a framework of watch spring wire
held in place by grommets attached to heavy-weight cotton cloth, supported the
folds of fabric to create a stiff protrusion. Georges Seurat's "La Grande
Jatte", painted in 1884, captured this very rigid silhouette perfectly.
What I
found fascinating about these and the other bustles in the collection is the
fine woven cotton thread that covers every inch of the watch spring wire. As
much as for decorative purposes, the cotton covering protected the metal from
dampness and rust.
